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of a still look for california. -- loomost of us still look to california. what governor brown said about the traditional politics is all about taking the thing in making it fresh. to a certain extent, i tried to be a writer in college. i failed miserably. a professor said everything has been set but not everything has been said superbly. even if it had, everything must be said freshly again and again. you have to see a fresh lead to a certain extent. the real issue with -- in terms of asking the president, what are the things that matter most, a bass part of those profits would be invested in california. colorado would have a significant -- pretty much every state in the country would benefit. you look at the companies based in silicon valley. they have offices, you want to expand your business, think about those young people in colorado. everything -- stated say the same thing. that money would get spent over the country very rapidly. >> thank you. governor brown. >> it is a good idea to bring back that $1 trillion sitting out there. how to do that, it remains to be seen. but then that
. ♪ ♪ ♪>> and it is my honor to introduce governor jerry brown of california. i think. ok. in ibm research, one of the things we talk about is our laboratories. i have been all over the world, live in different countries. i am a relatively recent transplant to california. i would like to let the governor know that i am happy to be here. it is a good space. recently, governor brown has spent a lot of time, focus, and effort making california a better place. focus on eliminating waste, increasing efficiency, decreasing the budget deficit, and real focus that we appreciate in northern california on clean energy. for example, moving the state's goal to be 33% clean energy producing. it is my privilege to welcome governor brown to the panel. [applause] >> and to introduce our next panelist, i would like to welcome steve ballmer, senior bp -- vp. >> good morning and thank you. next up is governor hickel lipper -- hickenlooper. he is the serieaal a entreprener each of you have in your respective parts. he became very successful in the brew pub business. he never had a single election not even for stin
, mayor brown, for being here as well, and the moscone family and friends, and former members of our board as well. welcome, everyone, to this 34th tribute and remembrance of mayor moscone and supervisor harvey milk. you know, i will say at the outset in gathering my thoughts here and my personal thoughts here, of what they represented. as we wait for this wonderful sound to pass by. they made it very quiet here. hope everyone is okay. >>> you know, mayor moscone and supervisor milk to me, as i was a law student in the bay area when the assassinations happened, and wanted to be part of a government that was going to be much more open. in fact, i had to sue the government in order to make it more open. and those years where struggle and just representing people who wanted to make the city much more equality bent was where i felt. and i feel today that if mayor moscone and harvey milk were here, they'd be pretty proud of what we've been able to accomplish in those years. seeing how mayor brown became mayor and my lucky charm of being now the first asian mayor of the city, understanding -- th
, in every moment i hear willie brown speak. that was beautiful, willie, what you said. and the stories that my friend barbara tells of she and husband dick leaving the life of luxury in cleveland to run muni for dad. or of the dmv when a woman behind the counter looks twice at the name of my driver's license and looks up and tells me of the day she met george on the street or worked on george's campaign. or about the time in her life in our city's life when things seemed more touchable, more human, or just tells me that she's honored to meet george moscone's son. or on the first preview of the play that my dear friend tony wrote about george and me, a play called ghost life, and the first public performance up in ashlan, oregon. halfway through the second act, at long last, george shows up and the fractured city hall backdrop begins to fill with floating lights outlining the golden gate bridge and we hear tony bennett sing his legendary recording of "i left my heart in san francisco." and then the character of george, sometimes mouthing the words, sometimes singing them quietly, moves
you enjoy the first two as much as i did. i think we found out how much of a character governor brown can be we are going to talk about silicon valley and the bay area innovation to the economy today. as you look at the panel, talking about the silicon valley, we have the mayor of san francisco. it will come into perspective, that when you have a giant like ibm anchor here in the valley, you are seeing in between companies like google and apple and facebook with incredible growth. in san francisco, mayor lee has welcomed to the fold in twitter, zynga, companies that are into cloud computing, hiring lots of people that not only want to live and work in the valley but recognize san francisco as being part of the valley. we are, indeed, fortunate, from san jose to san francisco, to be part of the innovation economy. we are finally seeing once again california's innovation is leading us out of the last three years of recession. i do not know about you but i am pretty tired of the recession. i made a statement several years ago that it was about time for an adjustment to the economy, thing
of our district's crime rates. but governor brown has proposed -- >> governor brown has proposed redevelopment agencies. hawhat are your thoughts on tha? supervisor chu: we currently have plans that really are dependent on having the development agencies and the financing mechanisms that helped it. i think that the redevelopment agency plays a very strong role in the development in some of our more blighted areas. to completely do away with the redevelopment agency would be a significant shock and change to the system, and i think we really need to understand what that will be before it should happen. i am a strong believer that the redevelopment agency played a strong will also in the creation of affordable housing in this city. to the extent that that money is taken away and we are not able to accomplish some of those goals with the financing mechanism, it would be a big step back for the city. >> what are your thoughts on the city's economic development? are we on the right track? what would you like to change about the city's approach to developing the economy? supervisor chu
with everybody from anthony brown's asian american orchestra to wane wallace's newest cd. who haven't you played with lately? yeah, he's played with everybody. you can find mas on a lot of different cd's from the local jazz community. this song we're going to do is an air called the brown-haired girl. when i was recording, when i was fortunate to be able to record bridge across the blue, i was telling them i got this air, i got it off the chieftan's album, i'm going to do it on the electric base. he looked at me and said, you're nuts. people are going to go crazy but if you can do it, i'll help you. he gave me this book of airs and went, figure it out, figure it out. it never quite jelled on the base but when hillary called today, i started to think more about the cedar flute. i said, i wonder if this particular air can fit? well, here we go. (instrumental music). >> thank you very much. i guess what i want to say about an arrangement like that is that it's not meant to use the cedar flute as a bit of exotica, but what the panelists have been speaking about. it's the use of all of it together is
brown coil, paraquillo looking like a cigar and tasting of brown sugar, well-beaten eggs and flour. this is the sign, according to the traveler, of the spoon used it eat the towering cream. we used to eat these big ice creams in cuba, used lots of cream. most dominica patrons were male but a few foreign women venturing to the famous establishment in the company of men from the court. one of these women was my grandmother, merced moynihan. in la dominica, one of the best cafes in the world, located on oreilly street, where my grandparents met. ticket to ride, i talk about my family history but after they marry -- i am reading a little from the book -- my grandparents were at the center of many fascinating things. i found myself at el centro, the literary and musical gatherings. their house on calle mercades became a cultural cross roads with the traffic of foreigners created a new inspired geography. they travel everywhere. my grandmother, merced, nina played the piano and read poems, while edward read the poems besides playing the fiddle and violin, behaved like an avant garde comp
that we see here who spoke, the mayor and mayor brown, mayor lee, those that have gone on into the state senate and the state assembly, by those that have gone on to the national stage representing not only the lgbt community, but every marginalized community we've had in this country. the chorus that i'll talk about in a minute who got their first public performance on the night that harvey and george were taken from us. but mayor brown called them two extraordinary individuals. actually, mayor brown shared that with me four years ago. it has stayed with me. harvey and george, they put in place, as the mayor said, a foundation of what we see today in equality and justice. we actually live in an extraordinary time because of the shoulders created by george and harvey. we live in an extraordinary moment because each of you believe you're worthy because each of you have a gift of authenticity to offer the world. and each of you are here tonight with not only the moscone and milk family, but the true meaning of the human family, in remembrance of the sacrifices that have taken us to get us
>> hi. we'd like to welcome you to our brown bag lunch talk today. we do this every third thursday in san francisco. and today we are at e&e electric, 1775 mission street, right by the building department office where we are going to walk around and look at all of this fantastic equipment. shinny, wonderful stuff. complicated stuff. what could this possibly be used for? we have with us today, david green, senior electrical inspector who is a good friend of mine and a well-known sailor on the san francisco bay. you're going to sail this saturday. and mr. lloyd and mrs. lloyd. thanks for letting us come in here. really appreciate it. you're an electrical contractor, too. right? >> i'm electrical for 26 years. we do lots of big projects. we dot lots of industrial and commercial and residential. >> so you have to get a california special license. you have to be a special licensee to do electrical what is that license? >> yes. i have a c-10 licen and b license. >> b is a general contractor's license. >> yes. more interesting for me, i do a lot of c-10 for electrical. >> about three, fou
. former mayor willie brown. [cheers and applause] and former mayor frank jordan. we want to acknowledge the husband of united states senator and former mayor dianne feinstein, mr. richard bloom. the wife of former mayor gina mos coney and the wife of former mayor joe alliteo, catherine. the sister of former mayor george christopher. the board board and the rest of the city family who has made this event possible. we are also honored to be joined by several giants dignitaries. president and ceo larry baer and his wife sam. [cheers and applause] . giants vice president and general manager brian saibian and his wife amanda. [cheers and applause] the wife of the skipper mrs. kim bochy. and let us now welcome distinguished members of the giants ownership group, charles johnson, david jenkins, trina and rob veen, tory and steven humphrey and allen baer. and we also joined by past giants owners. please welcome the family jamie and kim rupert and peter stoneum. also here with us today bob and connie laurie. peter and debbie mc clawlin. bill and sally newco. and now let's give it up for
you want to fried chicken bites so golden brown. pity another poor mother her catfish, mango shake shook every wrchlt the little girl on the straw never blinked channelling opiuman cesters through the ecstasy of fruit sures. this is us at farmer's market. brother too complicate who had offers an arm for her and me. a chain of chins along his shoulders. where have you been and why has it taken you so long to come back? >> the piece dedicated to my foster father and cousin on my adopted side. 1, daddy. old crow, jack dan jells understood my father mouthfuls at a time. jim beam and old forester where uncles rolled up in the sufficiented hennesy take it's first breath and hound dog laughter and dominos falling like hail on the dining table. relatives existed through stories and memory ease in like zombies on ropes of camel smoke and demand a texas holdum. no wonder they call it spirits. spirits vad my father with cower vas yea. spirits made him burn rubber screaming in the driveway. the marianet and tongue were skillets at mid night. i wouldn't see his ass again until the next afterno
and the retaining walls. [inaudible]. white on the fire hydrants. fire box red for the fire boxes. our brown for the pg and e poles. >> we are not painters we do our best. >> i'm assuming it has to do with gang activity. >> if it's territorial i mind. >> in case it's gang related and they are marking our territory i would like to paint it over. >> anything with numbers like x iv or x 13 west side mob and the bay view those are gang related. with gang related or profanity we will abait it as soon as possible. >> i consider it an art. there are circles of people that form around it whether or not they should ruin public property. >> this is art work i'm for it. unless it's on someone's property and they don't want it there. judge kids with silver paint expressing their ego needs doesn't belong on our property. >> graffiti is when you don't have permission to write anything on their property. >> eighth street is part of your regular rout? >> yes. >> everyday. >> eighth street. divisidero street. irving street. every block they going through they paint 3 or 4 streets in the block the
playing. anthony brown, who is a composer, is going to get a horn player to play something that is good but it's also someone who hasn't played in a while so it's a bit rusty. that's kind of tricky, but it had to be that because it couldn't be anything too complicated. he couldn't come up with this extraordinary riff set that made everyone kind of stand up and cheer. it had to be this sort of ragedy and yet truthful and sum up everything that's happened in the course of the play. but that's anthony brown's problem, not mine. >> so, anyway, i guess we should open this out to everyone out here. i'm sure you've got some questions that you'd like to ask phillip, so i'll be happy to take questions from the floor. over there in the red. >> can you explain again why the no no boys were rejected by the japanese community? i can understand if they said that they did not want to -- if they answered no no that the caucasian community would reject them, but i'm not sure where the japanese community rejected them. i felt like they were making a stand for the community. >> i think what's happened in
'll actually even get a different color. they'll go from the light light yellow all the way to the solid browns. when they're completely solid brown, the weight difference is just enormous. but you can tell they're featherweight at this point. you can actually hear the seeds on them. at this point you can simply peel and discover your luffa that's hiding on the inside. >> well, they clearly like deanne, because she is growing about 3,000-4,000 luffas here a year. and what started out as a part-time hobby has turned into a full-time job, thanks in part to the continued interest leveof visitors who, like me, were aloof to luffas before meeting deanne. >> wow. not a question. most of their expression is, "wow, i never knew." when they find out, number one, that we're not going to the ocean. number 2, they're not growing in big water baths. most people when you say the word "sponge," mainly because of spongebob being around on tv, most people you say the word "sponge," they automatically go the ocean. >> the girls at the spa said you don't even have to put any lotion or anything on that. >> no. no.
, mississippi john hurt me, sonny terry brown mcgee, i played some blues harmonica. >> did you learn that open tuning style, slide style? >> i have not picked up a slide in a long time, so i do not want to embarrass myself, but yes. it was a lot of folk music, blues and early on. i fell in love with the sound of the steel string guitar. there are a lot of idiomatic thing that it does well. i studied classic guitar a bit, but the steel string, for example, we do something called a hammer on and pull off, which is -- >> you get three note for the price of one. >> you plug the string but you get four notes. i always think of that town at the the prototypical steel string guitar sound. british isles, a caltech music. i learned all the paul simon songs. as i got older -- >> he is a hell of a guitarist. people do not realize. he is not flashy, but if you try to learn his tunes, they are really hard. >> he is a brilliant guitar player. i eventually got interested in jazz, world music, everything. maybe that is one of the reasons. i enjoyed so many kinds of music, i did not have a preference. i did no
see mayor willie brown, i will remind him it was fema. [laughter] we will have to name a doorway in addition to the staircase. thank you, everyone, for coming to san francisco. it is a pleasure to receive new and open up our house and to have you discuss, plan, and create relationships perhaps you do not have today among the federal and local police -- agencies working together on recovery. our city has been working hard. we have seen the future. the future is that if we're not prepared, it will not be our future. i got a glimpse of that some years ago when staff and i went down to new orleans. we have begun to realize the devastation was the result of things that could have been done there are national lessons to be learned from any major disaster across our country, what we could have done better. when i visited there those years ago, we stood at the night éovardç -- at the ninthç ward. in addition to taking pictures, we just stood there for a couple of moments. we asked ourselves, is this something we can accept? can we do something different now? when we got back to san
writer you have to quit your brownness because the adjective will get in the way of the important noun. english language will impose the adjective before the noun and your face will be imposed before the actual meaning of your life. the other one is not the [inaudible] but the black parent. that one there is the yellow which he willo player. language makes sense [inaudible] language is never innocent. it is a familiar domaine of the ones who came out with it's loss and structure. this, alexander, is not your tongue. your tongue is muteulated, it's gone, rotten in your mouth along with the silence of the days where you became invisible you bad copy cat. despite the rage and the disappointment of your own kin. thank you. [applause] >> this is a scene from my novel [inaudible]. it seemed like a great opportunity to get to do this here. okay. what time is the first reader anyway? i didn't like bars this crowded. someone elbode me in the back. when i turned around i didn't know who the elbow belong said. relax. i didn't expect there to be this many people i thought they would be at the bar
for the brown loafers passed down the sandals strapd and tied all empty now. the flesh gone. the blood gone. the legs gone. all gone. [applause] >> everyday another infantary man choses not to fire his gun. everyday a solder refuses to pick up his weapon. evidence another matisha member boundaried post. everyday another fighter deserts instead of returning to the battlefield. everyday another youth conscious objects to the very idea of war. everyday another ordinary person offers love instead of apathy, hope instead of despair, the cause of peace grows stronger. it is already begun. it's long trek into our hearts. tell take many more years to cover our streets, a host of decades to feel our roads, our access, our country side but itit will come like the clearest of mornings after the harshest storms like the soft soothing rain after the years of drought, it will come. hundreds of millions of people will stop feeding the beast of war. will stop crafting armor and boiling machines with their children's blood sacrificed. thousands upon thousands of solders will turn away from their leaders do
and his father and had a class in moore house of seven students. dr. brown and members of the class and knew them before and before then and he brings a lean yaj of struggle to the table every time he speaks with tremendous morale authority and stroke couldn't stop him for fight wg great power. [applause] i want to thank mayor ed lee for convening the family. for all the times we think of leading from the front. often you lead from the center. you have the power to convene the family, to look a
in the state and reverend brown and used his zeal and intelligence, his will to fight. he is a preacher, pastor, teacher, musician and a san francisco giant fanatic. [applause] and to all of you here today this issue of violence is a complex and challenging one. no one need to be self rightious about it because there is no instant answer to the things that all of us must. do i am impressed with the religious communities coming together. at least we should know that the issue today is peace is not the absence of noise. it's the presence of justice. when there is no justice there is no peace and when there is poverty and pain people search out for a bomb and put off that bomb. the excitement is that we're here today with each other. we at best can reach out to those who are not here because it's not just a matter can be solved with an enlightened church. the killing in kansas city, a football player, his wife and himself. three or 4 nfl players say they carry a gun and with basketball players the same. somewhere we're sitting around watching san francisco play miami excited who wil
building inspection. welcome to our brown bag lunch series. this is the regular third thursday of every month event. we are finishing up with a talk about the outside lambs, an area that was previously considered uninhabitable. uninhabitable due to fog. [inaudible] but we have with us a couple of real experts in outside plans. -- i am outside -- in outside lands. woody has devoted a lot of his time and effort to the outside lands. >> we are a nonprofit in our 10th year, and we are dedicated to preserving and sharing the history of san francisco. >> it is great to have you here. and pat, who has a lot of knowledge and brought to be sure today a lot of [inaudible] , and she can share with that -- she can share that with us as well, and we only regret that harvey the wonder dog could not be here. we talked about [inaudible] what area, generally, are we talking about? >> the term came from what was called the pueblo land when the san francisco peninsula was switched over from mexican ownership to american ownership. certain tracts were preserved, so there was a more orderly, even though it
with the department of building inspections brown bag lunch. we do this every third thursday of every month. this building behind me is one of san francisco's great landmarks, a designated landmark? >> it is on the national register list of historic buildings. >> with me i have a few guests, an old friend of mine and a partner who is a planner with the port of san francisco. welcome. thank you for coming along. and jane connors, who is the building manager. she will lead us on a walk through the building as we move along and talk about that as well. this is a fund and a unique place in san francisco, big, open space. a couple of times a week this is filled with a marketplace. >> 100 farmers. they are here on saturday. the farmers market is out front, and also on tuesday's we have about 60 farmers out front. >> and that is on the plaza? >> on saturday it is back here, and on tuesday it is in the front. >> i guess i am interested in what happens. we have a plaza where the ferry boats used to come. what happened? >> the whole backside of the building was originally line for ferryboats. it coul
homes to minorities. they got in trouble for that. willie brown actually made his name by going and trying to see one of the homes. it was a very political thing. he would walk up with a whole bunch of people in the person showing the home would sneak away. >> even in the teens, there were a lot of neighborhoods that had restrictions against certain groups of people. >> this was in the 1950's. willie mays had trouble buying a house in san francisco. a couple of people would not show him a house. they had to enlist the mayor and a bunch of people. this is their reservoir. companies would take a block and there would start wrecking houses. there were building two a day -- they were building two with a. the 1930's were the big boom times for the sunset. >> this is a recession. >> these are the homes in west would park. -- in westwood park. >> how did this perform? the composite the assembly -- come's assembly -- composite assembly. >> they would stucco it. they would put chicken wire on it. >> when i inspect buildings that are being remodeled, i see that the chicken wire mesh is co
to a state office building. >> this was an old eight-story brown building the state owned and the workers' comp people were in that building. it was an old dee correctvth it building for decades. when i was a member of the board of supervisors, all of us wondered why we hadn't done anything there and the mayor thought the same. >> if an earthquake happened, the building was uninhabitable. it sat there vacant for quite a while. the city decided to buy the building in 1999 for $2. we worked and looked at ways that we can utilize the building for an office building. to build an icon i can building that will house a lot of city departments. >> the san francisco public utilities commission has an important job. we provide clean, pristine public drinking water to 2.6 million people in the san francisco bay area from the hetch hetchy regional water system. with also generate clean renewable energy for city services like public buses, hospitals, schools, and much more. and finally, we collect and treat all the city's wastewater and stormwater making it safe enough to discharge into the san franci
institute in 1961. she was good friends with joan brown and jay de feo. shes what an integral part of the art scene in north beach. she was also part of the first argot lin artist's in residence program in 1967 and spent the better part of the '70s deeply devote today community arts and activism. she was part of the founding member of scrap, and she was involved with the neighborhood arts program during its insanction. -- inception. she went on to found the san francisco cultural arts center and she is the first director. i am excited to share with you i'm working with the asian american women artists association and film maker madelein limb to bring you the world of bernice bing, a documentary we're working on now about her life and work and it's going to premiere in june of 2013. thank you so much for this honor. it's long overdue. (applause) (applause) >> good evening. it's an honor to accept this award on behalf of the bernice bing estate. thank you. (applause) ♪ ♪ ♪ >> again, congratulations. now we'd like to make a slight modification in our program this evening and we'
informed about these mushroom-based products. >> keep them in the brown paper bag in the refrigerator, not in the crisper, and you have no problems with them. >> ok. >> these are the gray morels. and i usually love the flavor on them. >> these are what kind? >> gray morel. >> oh. >> you know, generally, you want something, when you pick it up, it doesn't feel like it's gonna crumble in your hand. >> mm-hmm. >> and all these are really good. i would say this guy is starting to turn a little bit. >> ok, so not this one. >> yeah. so, you can kind of feel it's moist. it's starting to crumble. these are sea beans. >> what are these? >> [chuckles] they're also known as pickleweed, salicornias, uh, samphire, pousse-pierre, a lot of--they're found in a lot of different areas throughout the world. >> just eat it? >> just bite right into it. it's like a little bite of the seed. >> salty. mm-hmm. >> mm-hmm. and they do grow in marshes. >> pure salt. that's good. instead of, like... >> instead of a pretzel with yotr beer? >> yeah, or french fries... >> you can have a little of-- >> or chips. >> w
Search Results 0 to 49 of about 64 (some duplicates have been removed)